My first time at the Club was in March 2008 at the Square Chapel, Halifax. I am no expert - the Club's stated aim is to be open to players of all ages and abilities. As a pretty basic player, I found it a daunting and challenging experiece. The only person I knew was Valerie, the Secretary. Lawrence Killian took the session, and he certainly knew what he wanted, but in a positive and encouraging way, which was so very important for a nervous new-comer. What stuck me was that he, and others used my first name quickly. I was aided in technical issues by those around me, mainly Bob Shaw, whom I'd never met before. And what a good player he was too!

The music played varied from comtemporary to Handel, ending with Rhinegold in 17 minutes, or thereabouts!

Good players are so very important in terms of how they receive less-able players. Hard words, tutting at technical weaknesses, etc are more-than-enough to put off less confident players, who would never return and, perhaps, feel they are wasting their time on the horn. Friendly words, smiles and helpful comments are the real sign of a club worth staying with. Playing with fine players encourages those less adept, inspiring them to want to improve. I had never played with a professional horn player before, but sitting next to Paul Kampen in the Wagner was wonderful for me. The chance to mix with players you see on the professional stage, whose playing you so much admire as beyond your capabilities, is a thrill, and the Opera North Horn Club is that chance. I recommend any other horn player, even quite scratchy ones like me, to give the club a go.

Geoff Bellamy - Birstall (posted on 9 April 2008)